Rich Lowry of National Review Online points out that one of American literature’s most beloved characters would run afoul of today’s politically correct crowd.
It’s time for To Kill a Mockingbird to give up its treasured place in American culture.
The 1960 novel by Harper Lee was published to instant acclaim, has sold more than 30 million copies, and is ubiquitous in high-school curricula. The 1962 movie version, starring Gregory Peck, is a classic in itself and won three Academy Awards. …
… Atticus Finch didn’t #BelieveAllWomen. He didn’t take an accusation at face value. He defended an alleged rapist, vigorously and unremittingly, making use of every opportunity provided to him by the norms of the Anglo-American system of justice. He did it despite considerable social pressure to simply believe the accuser.
In a gripping courtroom scene, Finch cross-examines Mayella Ewell, the 19-year-old daughter of an abusive drunk from a dirt-poor family who is Robinson’s accuser. With all the vehemence and emotion she can muster, Ewell insists that Robinson attacked her. …
… Without mercy, Finch takes apart her account. In contemporary internet argot, he “destroys” her. He brushes right by her tears. He doesn’t care about her feelings, only the facts. He exposes contradictions in her story and shreds her credibility. …
… To Kill a Mockingbird stands firmly for the proposition that an accusation can be false, that unpopular defendants presumed guilty must and should be defended, and that it is admirable and brave to withstand the crowd — at times in the story, literally the lynch mob — when it wants to cast aside the normal protections of justice.
Exactly what has made Atticus Finch such an honored figure in our culture would make him a very inconvenient man at many college campuses today.
