Policy Position

Film Grants

in Budget, Taxation, and the Economy


Updated as of January 2020.

“Bull Durham,” “Last of the Mohicans,” “Dirty Dancing,” and most other beloved ‘North Carolina films’ were produced without film production grants or incentives. They were made years before state officials ever thought the industry required government help.

Several features make North Carolina an attractive location for filming. It offers a diverse climate, rural to urban landscapes, mountainous to coastal terrain, a cornucopia of settings, and a good production infrastructure. It’s also a right-to-work state with competitive wages and cost of living.

Add to that a series of major reforms that reduced tax rates (including the corporate income tax), kept state spending growth in check, and eliminated intrusive red tape. Taken together, these attributes have made North Carolina an even more highly attractive place in which to do business, invest, and relocate. A more free business climate is a powerful incentive to untold numbers and kinds of business enterprises creating domestic jobs.

Enjoying lower costs of doing business is good for business, and by extension, it’s good for job creation, investment, and the state’s economy. But the message behind the North Carolina Film and Entertainment Grant fund is this: We only want certain kinds of business to enjoy a lower cost of doing business. Established, in-state enterprises are left to deal with a comparably higher cost of doing business.

Unlike other economic incentive programs, film grants don’t require recipients to earn them over time by hitting specific local job-creation targets or fulfilling other long-term promises. When the project is over, the grant money is gone and so are the jobs.

The biggest beneficiaries of film grants are outside film production companies — even if they don’t produce in North Carolina. They can pit North Carolina’s “bid” for film productions against other states’ bids (and foreign nations’, too). This bidding war turns into a race to the bottom, with each state under constant pressure to increase their giveaways.

Key Facts

  • North Carolina started offering film production tax credits in 2005 as an open-ended subsidy offering up to $7.5 million per production. Lawmakers greatly expanded the subsidy in 2010 to offer up to $20 million per production. The tax credit was repealed in 2014. It was replaced by a modest grant program of $10 million that lawmakers have already tripled.
  • Currently, the film grant program offers a rebate of up to 25 percent of qualifying expenses, with differing maximum credits for television series ($12 million), feature films ($7 million), and commercials ($250,000).
  • Multiple third-party studies of North Carolina’s program incentivizing film productions showed negative returns, ranging from just over 19 cents per dollar of tax credit given, to a high of 61 cents per dollar (in a study that did not account for opportunity costs and whose authors acknowledged that “a more detailed report is likely to conclude that the loss to the State is even greater”).
  • State film incentives programs were a fad popular in the early 2000s. By 2009, all but six states had some kind of film incentive. Meanwhile, studies were consistently finding deeply negative returns on investment, so states began getting out of the bidding war. By 2019, 18 states were not offering film incentives.
  • Recent peer-reviewed research shows that state film incentive programs have no impact on their states’ economies or industries, in effect benefitting only outside film production companies and current workers.
  • Out-of-state recipients of film incentives have also demonstrated a desire to leverage the programs to pressure state lawmakers into passing laws conforming to their social politics, not only in Georgia but also in North Carolina and other states.


  1. End the film production grant program. State leaders should ignore, not reward, outside film productions’ demands for higher incentives bids in their search for a state to pay them for their short-term business endeavors.
  2. Allow the state’s significant, across-the-board pro-growth reforms to attract outside film productions, just as they attract business for other enterprises. Thanks in part to recent tax and regulatory reforms, North Carolina boasts a freer business climate, a vibrant economy, lower costs of doing business, and beautiful natural amenities. These are already attracting hosts of other business endeavors that will be here for the long haul.


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