Kiri Jorgensen writes for the Federalist about a disturbing aspect of today’s children’s literature.

Children’s books are one of the most powerful tools parents have to help teach their kids how to be good humans. From picture books being read at bedtime to novels being read by flashlight under blankets, kids flourish in the safety of stories as they develop their belief systems. Resilience, empathy, respect, and many other noble traits are portrayed and experienced vicariously through books. What a powerful tool!

Having been a part of the children’s book publishing industry for several decades, and as a passionate participant, I have watched in growing dismay as the children’s literature, or “kidlit,” world has shifted and changed, and most recently taken a drastic plummet. Parents need to understand the destructive path this industry has taken, or they will discover too late as the damage hits home.

This shift in kidlit has been happening for a long time. About 25 years ago, novels that portrayed kids as environmental activists began to win awards. About 15 years ago, the award-winning books showed shocking, disturbing scenarios. Ten years ago, books that depicted sexualization and abuse at younger ages began to win awards. Then, five years ago, it shifted a bit more to where books focused on systemic racism and sexual identity won awards. Today, if books don’t include any of the above depictions, they are rarely published by medium and large publishing houses.

And it’s the medium and large publishing houses that supply schools, libraries, and bookstores. …

… The characters in our stories must immediately accept with positive responses any representation of modern social constructs. This immediately laudatory reaction to woke ideology is now required in kidlit. If an author doesn’t portray it as such, his book will not be published.

This pronouncement by the editor shocked me and many other writers there. The line had now been drawn. As writers, our hope of publication rested on our willingness to positively portray woke ideology.